Perspective is the first thing you’ll want to line up when combining photos. “You can be amazing and know what you’re doing,” says Valdes-Hevia, “but if you are using two pictures that are radically different, that have very different perspectives or lighting, you’re going to have to heavily edit it.” The more you have to edit your photos, the harder your job is. The images you’re working with should have something to do with each other when it comes to factors like color and light. However, the minotaurs, mermaids, and surreal scenes you create still need to have realistic perspective, lightings, shadows, and color.Īchieving that realism starts with combining complementary photos. Photomontage and digital art can still feature sci-fi and fantasy elements. Realism here doesn’t mean creating scenes that can be found in real life. “The picture you’re creating should be as realistic as possible,” says Ong. Photographic art can break all laws of physics and reality, but it still has to obey the rules of photography. “When ideas come up, I sketch them.”ĭigital art, surreal scenes, and realism. “It’s good to write down ideas when you have them,” says photographer Ronald Ong. Have a clear idea and an outline for your final product before you fire up Adobe Photoshop. Know what you’re going to do before you start in on your work. If you’re creating digital art, think about what you’re combining and what themes you’ll be using in your work. My clients want the focus to be on their product, rather than on a random thing lying around.” By getting rid of unimportant visual elements, subtle photo manipulation can pull a viewer’s attention to where it belongs. “Maybe there’s a trash can in the background or a line on the floor.
“Photo manipulation has always been used,” says Antonio. In commercial work, you might want to get rid of elements in the frame that distract from the subject. “You need to have a very clear idea of what you want,” says Edwin Antonio, an artist who combines modern fashion with historical fine art.
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With that in mind, this is how to put whales in the sky, airplanes in the ocean, and far-off planets in the sky above Earth.īefore combining any images or manipulating photos, understand what you’re trying to accomplish. Photo manipulation is for artistic and aesthetic expression, not deception. Do not manipulate images or add or alter sound in any way that can mislead viewers or misrepresent subjects.
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The National Press Photographers Association (NPPA) is very clear about this in their code of ethics, which states:Įditing should maintain the integrity of the photographic images’ content and context. If you’re a photojournalist and you’re attempting to represent subjects accurately, you should not combine or distort photos in certain ways. In 1982, National Geographic courted controversy by altering the pyramids of Giza to fit on their cover. Stalinist Russia made ample use of doctored photos for propaganda purposes. Grant on a horse is actually the combination of multiple images. A famous Civil War battlefield image of Ulysses S. It’s important to understand photo manipulation’s checkered history. “It sits somewhere between photography, painting, and more traditional arts.” “I’d call it a medium by itself,” says photographer Eduardo Valdes-Hevia. Photo manipulation can be used for artistic pursuits such as surrealistic photomontage or the creation of alien worlds on the covers of sci-fi novels. Photographers, editors, and retouchers have been cutting up, combining, and creating new work out of existing assets for over a century. Photo manipulation didn’t begin with the invention of photo editing software. Altering, retouching, and making new art with photos.
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